Exteriors go wrong five percent at a time: a roof chosen against old siding, a door chosen against a roof that changes next year. This study works the other way — one palette, five surfaces, sequenced so each installation locks in a decision already made.
The register is tonal rather than contrasty: a dark roof grounding a warm field, trim and gutters in the same white so the roofline reads as one line, and a single saturated accent reserved for the door.